Originally, he’d wanted to focus his work on the convict leasing system that had stolen years off of his great-grandpa H’s life, but the deeper into the research he got, the bigger the project got. How could he talk about Great-Grandpa H’s story without also talking about his grandma Willie and the millions of other black people who had migrated north, fleeing Jim Crow? And if he mentioned the Great Migration, he’d have to talk about the cities that took that flock in. He’d have to talk about Harlem. And how could he talk about Harlem without mentioning his father’s heroin addiction—the stints in prison, the criminal record? And if he was going to talk about heroin in Harlem in the ’60s, wouldn’t he also have to talk about crack everywhere in the ’80s? And if he wrote about crack, he’d inevitably be writing, too, about the “war on drugs.” And if he started talking about the war on drugs, he’d be talking about how nearly half of the black men he grew up with were on their way either into or out of what had become the harshest prison system in the world. And if he talked about why friends from his hood were doing five-year bids for possession of marijuana when nearly all the white people he’d gone to college with smoked it openly every day, he’d get so angry that he’d slam the research book on the table of the beautiful but deadly silent Lane Reading Room of Green Library of Stanford University. – Homegoing, Yaa Gyasi

White men get a choice. They get to choose they job, choose they house. They get to make black babies, then disappear into thin air, like they wasn’t never there to begin with, like these black women they slept with or raped done laid on top of themselves and got pregnant. White men get to choose for black men too. Used to sell ’em; now they just send ’em to prison like they did my daddy, so that they can’t be with they kids. Just about breaks my heart to see you, my son, my daddy’s grandson, over here with these babies walking up and down Harlem who barely even know your name, let alone your face. Alls I can think is this ain’t the way it’s s’posed to be. There are things you ain’t learned from me, things you picked up from your father even though you ain’t know him, things he picked up from white men. It makes me sad to see my son a junkie after all the marchin’ I done, but makes me sadder to see you thinkin’ you can leave like your daddy did. You keep doin’ what you doin’ and the white man don’t got to do it no more. He ain’t got to sell you or put you in a coal mine to own you. He’ll own you just as is, and he’ll say you the one who did it. He’ll say it’s your fault. – Homegoing, Yaa Gyasi

What could be worse than dead? But all around him, the evidence was clear. Only weeks before, the NYPD had shot down a fifteen-year-old black boy, a student, for next to nothing. The shooting had started the riots, pitting young black men and some black women against the police force. The news made it sound like the fault lay with the blacks of Harlem. The violent, the crazy, the monstrous black people who had the gall to demand that their children not be gunned down in the streets. – Homegoing, Yaa Gyasi

Evil begets evil. It grows. It transmutes, so that sometimes you cannot see that the evil in the world began as the evil in your own home. I’m sorry you have suffered. I’m sorry for the way your suffering casts a shadow over your life. – Homegoing, Yaa Gyasi

This is the problem of history. We cannot know that which we were not there to see and hear and experience for ourselves. We must rely upon the words of others. Those who were there in the olden days, they told stories to the children so that the children would know, so that the children could tell stories to their children. And so on, and so on. But now we come upon the problem of conflicting stories. Kojo Nyarko says that when the warriors came to his village their coats were red, but Kwame Adu says that they were blue. Whose story do we believe, then? We believe the one who has the power. He is the one who gets to write the story. So when you study history, you must always ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there, you begin to get a clearer, yet still imperfect, picture. – Homegoing, Yaa Gyasi

A poet’s got to spend more time livin’ than he does studyin’. – Homegoing, Yaa Gyasi

Prayer was not a sacred or holy thing. It was not spoken plainly, in Twi or English. It need not be performed on the knees or with folded palms. Prayer was a frenzied chant, a language for those desires of the heart that even the mind did not recognize were there. It was the scraping up of the clay floor into her dark palms. – Homegoing, Yaa Gyasi

There should be no room in your life for regret. If in the moment of doing you felt clarity, you felt certainty, then why feel regret later? – Homegoing, Yaa Gyasi

Sometimes staying free required unimaginable sacrifice. – Homegoing, Yaa Gyasi